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Game Review: Sleaford Mods' Jason Williamson Assumes Role in Critical Examination at Ecstasy Generation Era

Produced by Portishead co-founder the musician-producer, this sharp-edged though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Duel

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one important plot development, but it leads to a comically executed chaotic run on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game releases in UK and Irish theaters from November 17.

About the author

Valerie Martin

Tech enthusiast and writer with a passion for exploring emerging technologies and their impact on society.

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